Tag Archives: writing

Writing on Deadline, Using Google Maps

Under deadline, there just isn’t time to be uninspired. I’m writing a dynamic, online piece that’s about some 25 restaurants in six different cities. Aimed at the business traveler, it uses Flash and it’s all linked to Google Maps. When this thing is done, it should be amazing.

Now, back to Nexis, ProQuest, and Factiva (and my notes from my own travels).

By the way, Google Maps has a sharp picture of my backyard. I don’t have access to that yard (I only have the view). But from the satellite photo, I can see more of the yard than I can from my own window.

And I can also see my rooftop. I don’t have access to my New York City building’s roof. But I now know what it looks like. I now know that my neighbors have a garden on the top of theirs.

Thank you, satellite from outer space for telling me what’s next door.

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Reading in Union Sq Today

Park-Lit has a simple concept: writers read from their work,  outside, in a public park. Today at 6:30 on the 21st, Guernica (in association with Park-Lit and Open City magazine) will be having a reading in Union Square Park. (On the south side, right in the thick of things, near the Washington statue). I’m not reading but acting as the MC for the event. The readers will be:

The readers:
Joshua Kors (nonfiction)
Terese Svoboda (poetry)
Alexander Chee (fiction)

More about the readers and who they are (they’re fabulous, by the way) at the Park-Lit site.

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Writing: Should You Outline First?

I just ran across this piece by Nancy Rawlinson (who is a contributing editor at Guernica ) on the outlining debate. She says that yes, you should. You should outline your fiction. I have to admit that I sometimes do, and sometimes don’t. If the piece is short, within the realm of flash fiction, then I don’t. If it’s long, then yes. Absolutely. But the outline itself is also a form of fiction, because I don’t follow it all that closely.

But I outline after I’ve done a bit of writing. I struggle to find my opening, then outline it if I think I’ve got a solid opening.

When I feel like there’s a firm foundation to build something upon, then I make sure that I’m going to build it right by outlining. But only then, because if I do it too early, the enormity of what I’m about to undergo disheartens me.

Right now I’m writing the beginnings of a novel or novella  (I’m not sure which). I’m writing 50 pages, first. If the first 50 look like they’re good, then I’ll decide what it is. Or even if it’s crap.

The hardest part of writing (for me) is remembering why I’m writing the piece in the first place, and even worse—staying in love with it. It’s so easy to decide that a piece of fiction in its early stages is terrible, boring, and unfixable. (A journalist I used to know once said fiction writers were weak, because they complained all of the time. She even wrote an article about it, mocking them. But this journalist was wrong: fiction writers aren’t weak complainers. Not at all—we’re inventing a whole world, which is a difficult thing. And the slightest bit of grounding for us—like an outline—is a godsend.)

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Procrastination is:

Procrastination hits us in so many ways. Writers probably get hit with it worse than others. Or maybe we just worry about it more.

I’ve many deadlines today, so after watching this video, I’ll have to move on .  .  .

By the way, I don’t like inspirational writing books at all. Except for The War of Art.

I read it out of a sense of obligation. And ended up inspired. It’s the ultimate anti-procrastination book.

Buy it. And don’t put it off.

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Advice: 10 Tips for Writers

Janet Fitch author of the novels White Oleander and Paint it Black has some advice for writers, whether they write fiction or nonfiction (although the advice is directed at fiction writers).  Many of these tips were already given to me by Jim Shepard (back when I studied with him), but they’re worth repeating here. I’ll give tip number one below. The rest is at The Los Angeles Times site.

1. Write the sentence, not just the story
Long ago I got a rejection from the editor of the Santa Monica Review, Jim Krusoe. It said: “Good enough story, but what’s unique about your sentences?” That was the best advice I ever got. . .

As far as copywriting goes, I thought this article in Website Magazine was equally good. And like Fitch’s advice, it’s all-purpose.

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Will Bad Newsgathering Outlast Good Papers?

Newsonomics has a piece on its blog comparing Patch.com news report with one in the Contra Costa Times. Contra Costa has better reporting. But Patch had more interaction with its readers. It also had better SEO and was listed higher in Google.

The start-ups will have to improve their reporting, because bad reporting is wallpaper. Boring wallpaper. But the news organizations are going to have to figure out this thing called SEO. Or they will die.

Ran across this posting: poor SEO may be what killed thelondonpaper.com (but as the comments to the posting say, that might be pushing it, as a thing to say. Ironically, the writer was going for some good SEO, and thereby misstated things).

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Study: No Matter What, People Want an iPad

Jakob Nielsen just released a report concluding it’s faster to read on plain old paper, than an e-reader. And it’s faster to read on an iPad than a Kindle.  However. . . people would rather read on an iPad, no matter what.

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Still Working on This Site

It’s a slow process, but I’m putting PDFs of my clips onto this site.

Click on “Editorial Clips” for my freelance writing/journalism and “Copywriter” for my ad-driven writing. Eventually, I’ll also have my all of my fiction up, and information on readings and events.

Right now, clips are also available here: http://www.mediabistro.com/MeakinArmstrong

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Sunday Salon: How It Went

That reading was one of my best. I read a short story I’ve been working on, “Burning From the Inside.” I’m glad it worked in front of a live audience. Supposedly the reading will be on YouTube at some point.

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Reading: Sunday Salon, June 13th

This Sunday June 13th at 7 pm, I’ll be reading a a new draft of a short story I’ve been working on at Sunday Salon. Continue reading

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Cinema’s Beautiful Blowhard

The Beautiful Blowhard

I wrote an essay recommending Samuel Fuller’s work. A portion of what I said:

“A Fuller film careers between drama and melodrama; it stars scene-chewing actors; is low budget, and has the subtlety of a machete. A Fuller film can start out being about one thing (such as in one of my favorites, Crimson Kimono , where it begins in a Noirish vein, with two cops investigating a crime in 1950s L.A.) only to veer off somewhere else (racism against Asians). Watching a Fuller film is seeing the unpredictable. It breaks the rules of “good” writing—and just goes for the jugular.

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New in Noo Journal: “Baby Love”

I have a super-short fiction piece in the current issue of Noo Journal.

My work-from-home scheme fell on hard times and we had to move to another place, a property I’d bought as an investment, but had never planned on living in. It smelled of dogs and children. Even after we’d been there for many years, we found rawhide bones and pacifiers behind the refrigerator, under the stove, and in the basement.

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Have My Own Page on The Atlantic Site

Still busy posting for The Atlantic, and now have my own page, here

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Mercy College

I’m now an Adjunct Professor of English at Mercy College, here in New York City. School has just begun, and needless to say, I’ve been busy.

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The Caine Prize, E.C., and Me

I wrote about the the recent Caine Prize for African Writing award for the Guernica blog.

Spoiler Alert (not really, it could hardly be a surprised, I’d imagine): I say that my favorite thing about the award is that the short story was unsolicited.

Read my essay about E.C. winning the Caine Prize for African Writing HERE

Read EC’s Guernica story HERE

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Museyon Guides: Praised in The New York Times

A book I contributed to, Museyon Guides Film + Travel: North America was praised in The New York Times. My segment on the South, which included Deliverance and Gone With the Wind, was mentioned with praise.

From the banjo and guitar face-off near the Chattooga River, where ”Deliverance” was filmed, to Marilyn Monroe’s billowing dress over a subway grate at Lexington Avenue and 52nd Street in New York in ”The Seven Year Itch,” movie scenes often evoke a strong sense of place.

The creators of ”Museyon Guides’ Film + Travel,” a new travel guide trilogy, have taken this idea and run with it, locating some of the most memorable scenes from the movies and organizing them into books focusing on North and South America (198 films, including ”Gone With the Wind” and ”The Official Story” from Argentina); Europe (199 films, including ”Lawrence of Arabia” with its desert scenes done in Spain); and Asia, Oceania and Africa (139 films, including ”Mad Max” and ”Lost in Translation”).

A great project, it was truly fun to work on.

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