Using data from the most popular newspapers out there, a group called Perfect Market is saying that while stupid articles about trash personalities such as Lindsay Lohan generate traffic, they don’t bring in the money for the websites involved. Perhaps while this is a fantasy for the newspapers publishing the piece (I read about it in The New York Times), I still believe it.
After all, when I read that crap, I parachute in, and then feel filthy for it. I bail as quickly as possible and rarely forward it.
Under deadline, there just isn’t time to be uninspired. I’m writing a dynamic, online piece that’s about some 25 restaurants in six different cities. Aimed at the business traveler, it uses Flash and it’s all linked to Google Maps. When this thing is done, it should be amazing.
By the way, Google Maps has a sharp picture of my backyard. I don’t have access to that yard (I only have the view). But from the satellite photo, I can see more of the yard than I can from my own window.
And I can also see my rooftop. I don’t have access to my New York City building’s roof. But I now know what it looks like. I now know that my neighbors have a garden on the top of theirs.
Thank you, satellite from outer space for telling me what’s next door.
I just ran across this piece by Nancy Rawlinson (who is a contributing editor at Guernica ) on the outlining debate. She says that yes, you should. You should outline your fiction. I have to admit that I sometimes do, and sometimes don’t. If the piece is short, within the realm of flash fiction, then I don’t. If it’s long, then yes. Absolutely. But the outline itself is also a form of fiction, because I don’t follow it all that closely.
But I outline after I’ve done a bit of writing. I struggle to find my opening, then outline it if I think I’ve got a solid opening.
When I feel like there’s a firm foundation to build something upon, then I make sure that I’m going to build it right by outlining. But only then, because if I do it too early, the enormity of what I’m about to undergo disheartens me.
Right now I’m writing the beginnings of a novel or novella (I’m not sure which). I’m writing 50 pages, first. If the first 50 look like they’re good, then I’ll decide what it is. Or even if it’s crap.
The hardest part of writing (for me) is remembering why I’m writing the piece in the first place, and even worse—staying in love with it. It’s so easy to decide that a piece of fiction in its early stages is terrible, boring, and unfixable. (A journalist I used to know once said fiction writers were weak, because they complained all of the time. She even wrote an article about it, mocking them. But this journalist was wrong: fiction writers aren’t weak complainers. Not at all—we’re inventing a whole world, which is a difficult thing. And the slightest bit of grounding for us—like an outline—is a godsend.)
Janet Fitch author of the novels White Oleander and Paint it Black has some advice for writers, whether they write fiction or nonfiction (although the advice is directed at fiction writers). Many of these tips were already given to me by Jim Shepard (back when I studied with him), but they’re worth repeating here. I’ll give tip number one below. The rest is at The Los Angeles Times site.
1. Write the sentence, not just the story
Long ago I got a rejection from the editor of the Santa Monica Review, Jim Krusoe. It said: “Good enough story, but what’s unique about your sentences?” That was the best advice I ever got. . .
Eventually, there will be slides and all sorts of stuff. Eventually. Right now, nothing’s too fancy around here. It’s like I’ve just moved into a large, messy house and the construction workers haven’t quite finished with the plumbing and painting.
Except I’m the guy doing the plumbing and the painting; I’m doing this thing myself.
It’s a fun thing to do: I’m learning WordPress more concretely (Guernica is on Movable Type, so I’d previously known that CMS better than this one)
Newsonomics has a piece on its blog comparing Patch.com news report with one in the Contra Costa Times. Contra Costa has better reporting. But Patch had more interaction with its readers. It also had better SEO and was listed higher in Google.
The start-ups will have to improve their reporting, because bad reporting is wallpaper. Boring wallpaper. But the news organizations are going to have to figure out this thing called SEO. Or they will die.
Ran across this posting: poor SEO may be what killed thelondonpaper.com (but as the comments to the posting say, that might be pushing it, as a thing to say. Ironically, the writer was going for some good SEO, and thereby misstated things).
Jakob Nielsenjust released a report concluding it’s faster to read on plain old paper, than an e-reader. And it’s faster to read on an iPad than a Kindle. However. . . people would rather read on an iPad, no matter what.
That reading was one of my best. I read a short story I’ve been working on, “Burning From the Inside.” I’m glad it worked in front of a live audience. Supposedly the reading will be on YouTube at some point.
“A Fuller film careers between drama and melodrama; it stars scene-chewing actors; is low budget, and has the subtlety of a machete. A Fuller film can start out being about one thing (such as in one of my favorites, Crimson Kimono, where it begins in a Noirish vein, with two cops investigating a crime in 1950s L.A.) only to veer off somewhere else (racism against Asians). Watching a Fuller film is seeing the unpredictable. It breaks the rules of “good” writing—and just goes for the jugular. Continue reading Cinema’s Beautiful Blowhard→