Category Archives: New Clips

New in Noo Journal: “Baby Love”

I have a super-short fiction piece in the current issue of Noo Journal.

My work-from-home scheme fell on hard times and we had to move to another place, a property I’d bought as an investment, but had never planned on living in. It smelled of dogs and children. Even after we’d been there for many years, we found rawhide bones and pacifiers behind the refrigerator, under the stove, and in the basement.

Continue reading New in Noo Journal: “Baby Love”

Reading: Happy Ending, Feb. 11th

Thursday, 8:00 pm. Happy Ending, at 302 Broome St., between Forsyth and Eldridge.

It’s free. Happy Ending is a great bar with an interesting history: it used to be a “massage” parlor (hence the name). They’ve kept the exterior and some of the gear intact, but otherwise, it’s a fancy place.

Here’s the info on the reading:

Continue reading Reading: Happy Ending, Feb. 11th

Reading: Tandem Readings, January 17th

Looks like I’m taking part in Tandem Readings’ monthly reading series at CELL THEATRE on the 17th.

It’ll be with some great people: Irina Reyn, I introduced at a PEN World Voices event that Guernica sponsored a while back, and damn, she’s good.

Jonathan Miles a friend (just last night) was telling me is amazing. supposedly, his book is hilarious. And I’ve heard good things about Jonathan Tel, too.

Continue reading Reading: Tandem Readings, January 17th

Museyon Guides: Praised in The New York Times

A book I contributed to, Museyon Guides Film + Travel: North America was praised in The New York Times. My segment on the South, which included Deliverance and Gone With the Wind, was mentioned with praise.

From the banjo and guitar face-off near the Chattooga River, where ”Deliverance” was filmed, to Marilyn Monroe’s billowing dress over a subway grate at Lexington Avenue and 52nd Street in New York in ”The Seven Year Itch,” movie scenes often evoke a strong sense of place.

The creators of ”Museyon Guides’ Film + Travel,” a new travel guide trilogy, have taken this idea and run with it, locating some of the most memorable scenes from the movies and organizing them into books focusing on North and South America (198 films, including ”Gone With the Wind” and ”The Official Story” from Argentina); Europe (199 films, including ”Lawrence of Arabia” with its desert scenes done in Spain); and Asia, Oceania and Africa (139 films, including ”Mad Max” and ”Lost in Translation”).

A great project, it was truly fun to work on.

ASSME: a site I’ve been writing for

I’ve been participating in a community blog, for the group, ASSME (American Society of Shit-Canned Media Elites). They’re at I’ve written several entries so far. The latest one I posted today.

It’s a long piece I wrote that I could have just summed up with this song.

(Song makes me think of this Chesterton line, ““Children are innocent and love justice, while most adults are wicked and prefer mercy.” I’m wicked enough to prefer mercy.)

An Imaginary South: Advance Publicity for the Museyon book

So says the blog entry:

The American South is deeply tied-up in mythology. While onscreen it’s immortalized in classics like Gone With The Wind — a film shot in California and starring a British actress — the real South is as complex as the wide variety of films that have tried to capture it. Join Meakin Armstrong as he travels the South from Atlanta and Savannah, Georgia, through South Carolina, Mississippi and North Carolina. End up in Natchitoches, Louisiana, the setting for two vastly different interpretations of the South, Steel Magnolias and John Wayne’s The Horse Soldiers.

The book I contributed to, Museyon: Film + Travel will be out shortly.

Babes from Outer Space

I was talking to a friend the other day about the stupidest piece of hackery I’ve ever done. And I’ve written some really stupid pieces. But this one beats them all by far, I think. Maxim paid me well–this particular piece paid out a couple of thousand–but I was so wrong for them as a contributing editor. Yes, I was a contributing editor.

Sample from the article:

Devil Girl From Mars (1954)
Played by: Patricia Laffan
Home planet: Mars, a major source of ’50s paranoia.
Diabolical plan: To kidnap strapping Scottish men and get herself knocked up, pronto.
Advantages: Has the urge to merge in a big way. [I REALLY DOUBT I WROTE THAT LINE, BUT I MIGHT HAVE BEEN LAZY]
Bonus for submissive types: Can trap laddies in a powerful force field, and has a 12-foot-tall hench-robot named Chani to do her dirty work.
Disadvantages: Is prone to saying snotty, emasculating stuff like “It amuses me to watch your petty efforts.” Should she judge you too old and flabby for breeding, she sics Chani on you.
Typical come-on: “I can control power beyond your wildest dreams. Come! Come! And you will see!”

I still recommend Devil Girl from Mars, though.